I use the word "conversation" metaphorically to refer not only to speech but to all techniques and technologies that permit people of a particular culture to exchange messages. In this sense, all culture is a conversation or, more precisely, a corporation of conversations, conducted in a variety of symbolic modes. Our attention here is on how forms of public discourse regulate and even dictate what kind of content can issue from such forms.
To take a simple example of what this means, consider the primitive technology of smoke signals. While I do not know exactly what content was once carried in the smoke signals of American Indians, I can safely guess that it did not include philosophical argument. Puffs of smoke are insufficiently complex to express ideas on the nature of existence, and even if they were not, a Cherokee philosopher would run short of either wood or blankets long before he reached his second axiom. You cannot use smoke to do philosophy. Its form excludes the content. To say it then, as plainly as I can, this book is an inquiry into and a lamentation about the most significant American cultural fact of the second half of the twentieth century: the decline of the Age of Typography and the ascendancy of the Age of Television. This change-over has dramatically and irreversibly shifted the content and meaning of public discourse, since two media so vastly different cannot accommodate the same ideas. As the influence of print wanes, the content of politics, religion, education, and anything else that comprises public business must change and be recast in terms that are most suitable to television."-Amusing Ourselves to Death
As I read that this is what I walked in to (and I was lucky, if I had come 30 seconds earlier I would have seen our pastors leading our kids in singing and the motions of YVBS! to the tune of YMCA):
But I have to smile. Singing and dance are not a 21st century invention. And this is not the only or primary way in which my church conducts itself or broadcasts its message. I'm too prone to seriousness. And the message of the gospel is not fully captured with stern admonition. I'm glad for both good entertainment and hours of study. And that last night, was good entertainment... Just let it not be the sum total of our message. There is far too much at stake.
4 comments:
Was it good entertainment in the sense that such scholar-critics as Postman would find it "entertaining" (i.e., very sad, one has to laugh or cry)? Or that it was good entertainment for the kids?
I like the entertaining song over at remonstrans. It is about a catholic girl that needs to get saved before she's baptized. To the tune (or beat?) of "Baby Got Back!"....the song entitled, I assume, "Baby Got Baptized!"
Can one be "too prone to seriousness"? I think it is a matter of ordinate seriousness. What are you serious about? Truth? Oneself?
I struggle to some degree with the whole idea of "VBS" in general. Not that I'm against it, but it seems to reach only the kids. . . leaving mom and dad to do their own thing. The family idea is eroded away, but, perhaps that's the result of our culture too. It has eroded the family structure and thus we have adapted our methods accordingly.
Sorry the comment was kind of off point. I agree with the need for a serious ministry -- but also like to enjoy the things He has created (perhaps to much).
I agree with you about the segregation thing. I'm not sure that would be my biggest problem with YVBS.
Did God create Disco?
It is not unlike the good elves being mutilated into orcs, in my view.
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